filmography
We are still missing some work from here, aswell as some trailers.
You can always look at our Synopses page if a work you are looking for is not here.
eternal return redux
We can change time, we can travel! become. diverse
eternal return
We can change time, we can travel! eternal return takes us on a neverending journey of the blue moment.
Mechanisms of Exposure ~ SceneSetting
Eradicating the perspective confining the space-time continuum of "natural perception". Creating a perfect mirror of elongated distance. In this manner the spectator is also brought within the scene, within the very action.
Hysteria
What is produced with the romantic turn, at the turn of the 19th century, is on the contrary the putting into play of a masculine hysteria and, with it, of a change in sexual paradigms that once again must be reinserted in the more general and universal context of a change in the paradigms of otherness
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Caustically Happy
Caustically Happy relates to the genre of 'black comedy' nevertheless acting through intensely minimal settings while bringing you to the close-up of action.
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Numinous Doubles
Numinous Doubles is a niche product anyway intended to a wide audience from children to the elderly from ‘film freaks’, critical thinkers and academics to ambient sound and ‘intelligent techno’ enthusiasts.
Dehiscense
‘From Bergson to Merleau-Ponty to Hakim Bey, when reflecting on the concept of time without seeking for a strict or rigorous measure, the mouvement itself launches into a process of ‘becoming time' and thus allows the movement ‘becoming time' to ‘open up' without a strict manipulation of authoritarian influence. This opening is desiderate and unsaturated.'
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Nothing U can DO!!
Operating through an interconnected network the pursuit of a certain intentionality leads us in several directions, several meanings, causes and grounds (sens).
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Mechanisms of Exposure ~ Gestures of Pleasure
The surface of the Mechanisms of Exposure ~ Gestures of Pleasure may appear formal although when one experiences it there is also the desire for a narrative interpretation – the spectator wants to know what is happening, what story is taking place. To view click on title
View Mechanisms of Exposure ~ Gestures of Pleasure synopsis.